NEW YORK – One of Iraq’s only working filmmakers, Oday Rasheed – whose brilliant film 2005 Underexposure followed a group of characters in Baghdad after the United States-led invasion in 2003, and whose new film Qarantina is now premiering – is in Manhattan. The glamorous settings in which he is now showing Qarantina – a screening at the Museum of Modern Art, for example, and in the private homes of American directors and stars – could not be further removed from the violence-riddled context of his daily life.